BIG CUT STATION, VIRGINIA
I
To be beyond fragile body--
material decays into dissipating energy,
concentric echoes across water. Foam
blesses sand, polishes
stones. The waves as progenitor
and grave, the shore
a transition to survival.
II
Ammonites exposed by blowing
dust peek through shrunken
wildflowers--antique
remains, cracked wood with bark
that chokes ants. In the shush, the resonance
of brass bells across scrublands
demands a return to values and fear
handed down by gods. Organ pipes
wail, unaware of yellow balloons
roaming. Without tongues,
the fossils can't taste
the absence of dew.
III
On the other hand, an appearance
in dreams as if embraced by gold auras--
an appearance so real that everyone else
is flat and caricatured. what of their
self awareness? The shimmer implies
a consciousness, energy that visits from
beyond, that remembers
and understands.
IV
Rippling streamers illustrate
the movement of air--not stagnation
of scum on ponds but the reflection of light
back towards the sun: the moon slumbers
below sea and salt, restless to wake.
V
Is this the legacy you want to leave behind?
Systemic changes cross webs, lost
spiders in the air. To be far-reaching,
you must create a compendium of ice and wood,
travel beyond the layer of clouds
that installs itself on the museum wall. Tipped
on its side, the sun wheels through haze and
heat until nothing is left but fragments and
those who remember.
SHADY VALLEY, TENNESSEE
I flare my inner lantern in pulses
until you see my iron illumination,
the fleshy centipedes that scurry beneath rocks
when morning breaks. Some call
me a devil, a harbinger who leads to the truth
that's sought, the peat exhumed from smoky bogs.
Hovering, waiting, I see your shadow
appear in shimmers of spring fog that slip
between waves and dune in the night. I turn
and float a red salamander sliding beneath stars,
past the creek filled with old tires, past
the bend where rebar protrudes from tossed
concrete and gray clay supports the bluff. Drifting
inland, my light as hot as Betelgeuse smolders and trails,
entices, encourages. The rusting cage of monkey bars
brightens as if touched by the moon and through
the sneezy weeds, the path opens between
the stern oak, the coy maple where the afterglow
of autumn bonfires haunts iron gate. White
sentinels of birch guard fallen logs that rot
and peel, sandy pine hollows hang moss to dry
in the coming summer, and the pit emerges with its sharp
slopes, spongy ground covered in pine needles, broken
branches housing ants and beetles. Across the far
side of the pit and I hear you panting as I extinguish
my light, reappearing through the trees, wind fanning my flames. With
the brilliance of Mars, I flash bright as lightning and the woods vanish
under my illusion, replaced with a barren
field of dirt and rock. The trees clear-cut, houses appear
in two rows from bluff to road. Fences are erected, "No Trespassing"
signs nailed up. Brambles pierce skin as I release the vision,
and in the dark, I see you collapse to your knees. The wind
stops blowing, the owls hush, and you
slowly stand and head toward the road.
